From the stage to the museum wall
Installation, press activity and visitors’ encounters belong to the record assembled by the collection. The exhibition’s theatrical subject also invites attention to the distinction between a work made for the stage and its later presentation on a museum wall.
The record follows the Natanov Collection’s account. Individual artist participation is not inferred from paintings visible in photographs; a complete checklist is not established here.
Collector connection
The connection to Edik Natanov follows the collection’s own account. Photographs are not used here to authenticate works or establish a complete artist checklist.

















